The recovery pose with his near leg drawn open: the skin transparent as tracing paper, the muscular structure showing through, and a small fierce point of white light in the belly of the calf travelling along the fibres. THE LIGHT STAYS INSIDE THE OUTLINE OF THE LEG. No rays leave him, nothing spills onto the paper, and that containment is what makes it read as something happening under the skin rather than an effect drawn on top. v1 had it bursting out across the sheet and was wrong. IT IS DRAWN INTO THE FRAME, which matters: per modules/magnifying-glass.md the glass only ever enlarges what is already there, so the light has to exist on the paper before any lens goes near it. OUT OF THE GRID 3.9.2026, Baba. Went with the dead leg it belonged to.
